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Here are all the paintings of William Hoare 01
| ID |
Painting |
Oil Pantings, Sorted from A to Z |
Painting Description |
| 79061 |
 |
Countess of Chatham |
. 1766(1766)
Medium Oil on canvas
cyf |
| 94402 |
 |
Philip Dormer Stanhope, 4th Earl of Chesterfield |
cjr |
| 85478 |
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Philip Yorke, 1st Earl of Hardwicke |
oil on canvas
126.5 x 102 cm
18th century
cjr |
| 94400 |
 |
Portrait of a Lady |
18th century
Medium pastel on canvas
Dimensions 58.5 x 44.5 cm (23 x 17.5 in)
cjr |
| 83493 |
 |
Portrait of Christopher Anstey with his daughter |
1776-1778
Medium Oil on canvas
Dimensions 126.5 x 101 cm (49.8 x 39.8 in)
cyf |
| 80581 |
 |
Portrait of John Carteret |
1750-1752(1750-1752)
Medium Oil on canvas
Dimensions 125.7 x 101 cm (49.5 x 39.8 in)
cyf |
| 83090 |
 |
Portrait of Richard |
1761(1761)
Medium Oil on canvas
Dimensions 76.2 x 62.9 cm (30 x 24.8 in)
cyf |
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| William Hoare
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| William Hoare of Bath RA (c. 1707 - 12 December 1792) was an English painter and printmaker, co-founder of the Royal Academy noted for his pastels.
Born near Eye, Suffolk, Hoare received a gentlemanes education in Faringdon. He showed a marked aptitude for drawing and was sent to London to study under Giuseppe Grisoni, who had left Florence for London in 1715. When Grisoni returned to Italy in 1728, Hoare went with him, travelling to Rome and continuing his studies under the direction of Francesco Imperiali. He remained in Rome for nine years, returning to London in 1737/8.
Failing to establish himself in London, Hoare settled in Bath, an expanding spa town popular with the wealthier classes. He obtained numerous commissions, the most important being for official portraits of social leaders of the day (including George Frideric Handel) and political men. There are several versions of most of these, suggesting that he had a studio, and they were further publicised by the production of mezzotints by leading engravers of the day. Hoare himself was a delicate etcher and published a number of private plates, mostly of family and friends, including Miss Hoare (probably Mary), Christopher Anstey and the 3rd Duke of Beaufort. His pastels were influenced by Rosalba Carriera.
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Supported by oil paintings and picture frames
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